BRYTER COLOURS Impress With Self-Titled Album

Published on 9 August 2025 at 21:36

 

Bryter Colours, the self-titled debut album by the duo of Colin Heaney and Brian Connaughton, is a captivating sonic journey that weaves together introspection, resilience, and eclectic instrumentation. Released earlier this year, the album is a  meaningful exploration of life’s quieter struggles—moments of doubt, perseverance, and the search for purpose—delivered through a soundscape that’s as vibrant as it is elusive.

 

The album’s 11 tracks, spanning a palatable 38 minutes, create a tapestry of alternative folk, progressive rock, and acoustic textures, defying easy categorization. Tracks like “I’m Alive” open with serene elements—like the gentle strum of a cuatro and ocean waves—before building into a glowing, almost mantric affirmation of endurance. It’s not a loud declaration but a whispered vow to keep going, offering a soothing, almost therapeutic embrace for listeners. The song’s understated power feels like “a cup of tea cradled in two hands on a hard day,” resonating with anyone who’s ever needed a reminder to breathe through life’s weight.

 

Other standout tracks, such as “Shining Light” and “Star,” showcase the duo’s ability to blend heartfelt vocals with intricate arrangements, incorporating mandolin, strings, and dulcimer for a rich, layered sound. The lyrics often lean into the mundane yet profound—days that blur together, unanswered questions, and fleeting encounters—capturing a reflective mood that’s both melancholic and hopeful. This is an album for those moments when you’re not okay but know you will be, striking a delicate balance betwee vulnerability and quiet strength.

 

The production, handled by Rash Records, is crisp yet organic, allowing the experimental edges to shine without overshadowing the emotional core. Songs like “Darker Colours” and “Is The Sky On Fire?” push boundaries with their genre-blending approach, earning the loose descriptor of “alternative folk prog”. The album’s spontaneity—written and recorded in 2024—lends it an authentic, unpolished charm, as if the duo stumbled into something profound by simply following their instincts.

 

 

At times, the album’s ambition to bridge genres can feel slightly disjointed, with transitions between tracks occasionally lacking cohesion. Some listeners might find the more experimental moments—like the proggier flourishes—jarring if they’re expecting a straightforward folk record. Yet, this unpredictability is also its strength, keeping the listener engaged across its runtime.

 

Bryter Colours is a soulful, eclectic debut that doesn’t just play music but invites you to feel it. It’s a record for those who find beauty in life’s messiness, offering melodies that linger and emotions that resonate. Perfect for introspective evenings or long drives through uncertain times, it’s a promising start for a duo unafraid to chart their own path.

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