‘Empty Home’: An Entropic Evaluation By The Prog Rock, Grunge Loving CRUX
Words: Max Bradfield
FRANKIE BIRD’s Jangly Guitar Fuelled ‘Grassroots’ EP Proves A Glimpse Of Her Raw Talent
Words: Max Bradfield
HANNAH ROBINSON Continues To Forge Her Atmospheric Sound With Latest Single ‘Rosie’
Words: Max Bradfield
QUIET TONGUES Are At Their Loud And Atmospheric Best On Summer Release ‘She’s Velvet’
Words: Max Bradfield
OLIVIA DEAN Gears Up For 2024 ‘Messy’ Tour
Words: Heather Collier
THE HYBRIS’ Intriguing Dialogue With Darkness Itself: ‘Hey, Death!’
Words: Max Bradfield
ALEX JAMES’ Crisp, Clear and Direct Sound Is Displayed On Latest Release ‘Waiting For Something’
Words: Max Bradfield
DANIEL LERNER’s ‘Good Game’ EP – A Perfect Collection Of Songs Headed By Stand Out Track ‘Haymaker’
Words: Max Bradfield
‘Trying to Be Someone’: S J DENNEY’s Artistic Vision Captured At Just The Right Time
Words: Max Bradfield
EWAN SIM Proves Why Clash Magazine Are Fans Of His With Latest Track ‘Meaning of Life’
Words: Max Bradfield
Asking The Killer Questions… VICE KILLER’s Latest Release ‘Where Can I Find Some Peace?’
Words: Max Bradfield
THE THIRD MAN’s ‘What She Wrote’: A Lesson In Ethereal Feeling From 4-piece From Edinburgh’s College Of Art
Words: Max Bradfield